Solo Live Performance + Film | ||||
21' | Film Projection + Live Electronics | Film by Jamie Man | 2025, De Bosbar, Antwerp | |
CELESTIAL PALPITATIONS | 23' | Analogue Slide Projector + Live Electronics | Created with film artist Chiemi Shimada | 2025, Cafe Oto, London |
Solo Live Performance + Dining | ||||
20' | Solo Electronics with Wine Tasting | Created with Wyn Wines (GB) | 2025, Minor Attraction Mandrake Hotel, London | |
2h | Solo Cembalo with Electronics | Created with Milo Rau, Servane Dècle, Anna Kölén and Freja Hallberg | 2025, Konträr, Stockholm (SV) | |
Installation | ||||
30’ | 4DSOUND + 60 speaker configuration of SSI Budapest | Created with Marijn Cinjee and André Fonsenca | 2022, Sonotomia, Spatial Sound Institute, Budapest | |
15’ | 4DSOUND + Soprano + Subwoofers + Dead Bees | Words: Jamie Man Spatial sound design, Marijn Cinjee | 2022, Ines Simoes, Pedra Angular/ Festival Terras des Sombra/ Sonotomia, Odemira 2022 | |
N/A | 4DSOUND + Dark room + Yeso Roja + EMF recordings | 2021, Sonotomia, Santa María Foundation, Albarracín | ||
Musicians + Light + Darkness | ||||
ETUDE #16161D | 30' | Body hook-suspension performance + Percussion, Harp, Contrabass, Electronics + light and darkness | Composition, Scenography and Choreography: Jamie Man | 2025, State of Bliss Suspension (Indigo Durnan, Philippa Downey and Jamie Man) and Musicians of Klangforum Wien, Wiener Festwochen Akademie Zweite Moderne ORF Kulturhaus, Vienna (AT) |
DARK SKIES X BLIXA BARGELD | 60’ | Blixa Bargeld and Orchestra 4.0.0.2.-0.2.3.3.-7Perc.EGuit.BGuit.Org.-0.0.8.7.6 | Words and vocals: Blixa Bargeld | --- 2024, Asko|Schönberg Ensemble, Slaagwerk Den Haag, Holland Festival, Muziekgebouw aant'ij, Amsterdam |
666” | Royal Festival Hall Organ and Orchestral Ensemble 0.0.Bcl.Cbsn.-Hn.0.BTbn.Tba.-2perc.-Organ-0.0.1.1.1. (Strings - as many as possible) | - | 2023, James McVinnie and Philharmonia Orchestra, London | |
OUTRENOIR III : The Little Death | 10’ | SSAA vocal quartet and Orchestral Ensemble SSAA.-3.0.0.0.-0.0.0.0-3perc.-Hp.0.0.5.8.6 | Words: Jamie Man Light Sculpture: Ben Zamora | 2022, San Francisco Symphony Soundbox |
10’ | Orchestra 2.2.2.2.-4.1.0.0.-hp-timp.8.7.6.5.3 | - | 2020, L’Orchestre de Chambre de Paris and Théatre du Châtelet, Paris | |
15’ | Percussion, Violin and Violoncello Perc.-1.0.1.0 | Words: Jamie Man Light Sculpture: Ben Zamora | 2019, London Symphony Orchestra Soundhub, London | |
OUTRENOIR I : A reflection | 10’ | Actor, Soprano, Viola and Violoncello actor. sop.-0.1.1.0 | Words: Jamie Man | 2018, Ensemble Xenon, Berlin |
Musicians (Only) | ||||
40’ | Solo Electric Guitar and Orchestra 2.2(II+C.A).2(II.+Bcl).2- 4.1.3.0- timp.perc.-Hp. elec guit.10.8.6.6.4 | after text by Michel Foucault | 2021, Ballet de l' Opera du Rhin, Strasbourg (Studio recording only) | |
3'30" | Harpsichord and String ensemble Hpchd.-1.1.1.1.1 (Strings - as many as possible) | - | 2020, Sinfonia Humanitas and Gabriella Teychenné, London | |
3'40" | Harpsichord and String ensemble Hpchd.-1.1.1.1.1 (Strings - as many as possible) | 2020, Sinfonia Humanitas and Gabriella Teychenné, London | ||
4’33” | Baritone and Ensemble Bar.-0.0.1Bcl.1.-1.1.1.0.-2Perc.Pno.-1.1.1.1.1 | Words: Peter Stamm | 2019, UnitedBerlin Ensemble/Vladimir Jurowski and Dietrich Henschel, Berlin | |
8’ | Noh singer and Violoncello | Words: 伊藤晴雨 Itou Seiu and anon. Japanese death poems | 2017, Ensemble-No and Ryoko Aoki, Tokyo | |
CLOWNS CRY TOO | 5’ | Soprano, Percussion, Viola and Double Bass sop.-perc.-0.1.0.1 | Words: Jamie Man | 2016, Ensemble Xenon, Berlin |
FAG | 10’ | Bassoon and 2 cassette tape recorders | - | 2015, Georgie Powell, Amsterdam, |
BODY LANGUAGE | 10’ | SATB quartet and live electronics sop.alt.ten.bss.-elec. | Words: Jamie Man | 2014, LOD Muziektheater/Silbersee, Ghent |
A SLEEP APART | 5’ | SATB choir | Words: Jamie Man Metamorphoses by Ovid (excerpts) | 2013, Eric Ericsons Kammerkör, Mechelen |
AFFINITY | 3’ | Soprano and Piano | Words: Kenneth Vard | 2012, Tom Southern and the Motor Neurone Society, Aldeburgh |
Opera for Concert Hall | ||||
35’ | Soprano, Bariton-Martin and Orchestra sop.ten. 2fl.picc. 2C.A. 2cl. Bcl. 2fg. Kfg. 4hn.3tp. 3tb. tba. timp. 2perc. 10vla. 8vc. 6cb. | Direction: Kristiina Helin Words: Jamie Man and trad. | 2016, Jussi Lehtipuu, Ines Simoes, Hannu Lintu, Gulbenkian Orchestra, Lisbon | |
Opera for Stage | ||||
60’ | Noh performer, Countertenor, Throat Singer, Percussion, Electric Guitar, Electronics | Direction: Jamie Man, Words: Peter Stamm Light/Scenography: Ezra Veldhuis Costume/Inflatables: Fredrik Tjærandsen Dramaturg: Tomas Serrien Electronics: Tatiana Rosa Sound Design: Brecht Beuslinck | 2021, LOD Muziektheater (BE), Theater- und Musikgesellschaft Zug (CH), deSingel Antwerp (BE), Asko Schönberg (NL), Palau de les Arts Reine Sofia (ES), De Munt / La Monnaie Bruxelles (BE), Festival Aix-en-Provence (FR) & Calouste Gulbenkian Foundation (PT) | |
Opera for Children | ||||
COUNTING SHEEP | 10’ | Piano and Children | Words: Stephen Plaice | 2017, Mahogany Opera Snappy Opera, London |